Nicholas West
Activist Post
August 26, 2010
Predictive Programming
Hollywood is the magician’s wand (holly-holy) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda. — Alan Watt
The Colony is an “experiment” where people are forced to live in a world minus even the most basic necessities, while being harassed by their fellow suffering man. In Season Two, colonists begin the ordeal with a 72-hour quarantine, followed by a government agency airlift to a “way station” that is the site of their rebuilding of society. They are given enough supplies for one week, and basically told to have a nice day.
Hollywood has a history of involvement with the New World Order as a visual think tank of future scenarios. Viewed through this lens, the ”experiment” is not to test the orchestrated reality of the characters placed in a survival situation, but to test the viewing public about what reality they will accept after certain predetermined events take place.
Predictive programming exists in all mediums, but it is Hollywood where the greatest numbers of people gather for passive entertainment. Hollywood history shows a disturbing connection with the themes that are introduced in movies and TV, and the world that is accepted by the masses thereafter..
This is a list of the seminal thought experiments put to film which have been instrumental in offering an apparently dystopian world where one’s first, human, reaction is “no one would accept that.” After the concept has been introduced, politicians and media-spin work in concert to say, “It won’t be like science fiction; it willbenefit mankind.” Look at the following movie themes, then look around at what has already been accepted as “normal.”
THX 1138 (mandatory mind altering drugs to control a slave population -1971)
Soylent Green (overpopulation and Elite control -1973)
Wicker Man (Elite control over the population -1974)
Logan’s Run (population control via computer – 1975)
Network (Corporate Media control – 1976)
Brainstorm (transmitting the mind across a computer network – 1983)
Robocop (militarization of police – 1987)
They Live (mind control and data collection – 1988)
Johnny Mnemonic (data as a commodity – 1995)
Gattaca (genetic code as a commodity – 1997)
Devil’s Advocate (legislative control over society – 1997)
Eyes Wide Shut (rituals of the Elite – 1999)
Swordfish (government sanctioned crime to combat terrorism – 2001)
24 (good guys use torture to get information from terrorists – 2001)
Minority Report (high-tech police state using biometrics and “pre-crime” – 2002)
The Experiment (dynamic of prison abuse – 2002)
Control Factor (mind control through scientific dictatorship – 2003)
Jericho (factions within U.S. government set of a nuke false flag – 2006)
I Am Legend (benevolence of scientific intentions, martial law, and vaccines as the cure – 2007)
These examples suggest that Hollywood is a marketing tool for the New World Order. In the same way that news media was co-opted with psy-ops programs like Operation Mockingbird, the magic wand of Hollywood has been used to desensitize people to an impending reality. The Colony is the next level of preparation for the Endgame. And what might bring about this apocalypse? Well-regarded physicist, Michio Kaku, went on MSNBC’s The Dylan Ratigan Showto announce that UFOs are worth serious inquiry. This was done to support a new book release of generals, pilots, and government officials documenting decades of UFO encounters. All of this while a new trailer for the movie Skyline depicts aliens arriving on blue beams. What was the name of the NASA project that studied stage managing a fake rapture or alien invasion? Project Blue Beam.
Is this just the latest in our regularly scheduled programming?
PREDICTIVE PROGRAMMING IN MOVIES
PREDICTIVE PROGRAMMING IS A SUBTLE FORM OF PSYCHOLOGICAL CONDITIONING PROVIDED BY THE MEDIA TO ACQUAINT THE PUBLIC WITH PLANNED SOCIETAL CHANGES TO BE IMPLEMENTED BY OUR LEADERS. IF AND WHEN THESE CHANGES ARE PUT THROUGH, THE PUBLIC WILL ALREADY BE FAMILIARIZED WITH THEM AND WILL ACCEPT THEM AS ‘NATURAL PROGRESSIONS’, AS ALAN WATT CALLS IT; THUS LESSENING ANY POSSIBLE PUBLIC RESISTANCE AND COMMOTION.
WOE BE UPON HOLLYWOOD…
"Hollywood is the magician’s wand (holly-holy) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda. "Be-aware".
Predictive Programming – The power of suggestion using the media of fiction to create a desired outcome."
~Alan Watt
Robocop (1987) – Promoting the Militarization of Police
http://www.imdb.com/title/tt0480249/
The movie is the third, albeit loose, screen adaptation of Richard Matheson’s novel from 1954 bearing the same name. A decent synopsis can be read here.
"You have actually cured cancer?…" Scientist: "Yes, yes we have."
0:02:00
From Good Intentions to Misadventure
A scientist publicly announces that she represents some unknown group of scientists who allegedly managed to develop a be-all-end-all cure for cancer. Unfortunately it quickly becomes apparent that the "cure" actually is a wolf in sheeps’ clothes and the first batch of people treated with it precipitate an infectious epidemic of extreme and unprecedentedly fatal proportions. Consequently, most of the population of the earth is decimated; a small portion of humanity survives but not escaping a horrible transformation into extremely aggressive animal-like humanoids. Only a very few humans prove to be naturally immune and survive the onslaught unscathed and unmutated.
Although it ultimately wreaked havoc in the most extreme way, the motives for developing the "cure" were considered to be most noble and worthy (curing cancer). Thus the reader is nudged into thinking that, in case a real plague should take place, its underlying cause must have been, at least, morally acceptable and that in all likelihood ‘something must have gotten terribly wrong along the way.’ It must be a tragic misfortune by misadventure, no conspiracy theories needed, you see. Our leaders would never do such an evil thing intentionally. Yadaa, Yadaa…
This subtle brainwashing tactic helps provide a cover for possible perpetrators orchestrating any future plagues to hide behind; plagues that, in contradistinction to the one referred to in the movie, in reality are not accidentally and unintentionally brought about by misadventure but rather are administered by malevolent and premeditated willful acts. Indeed, what a wonderful world we’re living in…
0:14:00
Martial Law Scenery
According to well-established contemporary cinematographic tradition (or perhaps ‘doctrine’ would be a better word), the military is seen to have totally assumed (read: usurped) the role of the police as a means of crowd control and law enforcement during times of crises; the Posse Comitatus Act has again been swept under the rug completely. Examples of other modern movies featuring a similar police state theme are The Day the Earth Stood Still (2008) and Transformers (2007).
In addition to the military gone crowd control, civilians are subjected to mandatory eye scanning tests; the purpose of which is to help identify infected people. The general effect on the viewer is to make the public get used to not only being identified immediately and on immediate demand from military law enforcers but it is also to help the public get used to being herded like cattle at the discretion and say-so of your local military overlord. It thus follows naturally that this kind of scenery portrays yet one more martial law type of setting in which human rights have been wiped off of the map on the contingency event of a national/international disaster coming into actuality.
0:35:00
Vaccine As Remedy
A degenerate female humanoid has been captured and now serves as ‘human’ guinea-pig to Dr. Robert Neville – the protagonist of the movie. With the ultimate aim of discovering an effective vaccine to cure the infected, he administers an experimental vaccine to his newfound guinea pig.
If successful the viewer is invited to put stock into the notion that vaccines are your weapon of choice to wage war against, and to ultimately defeat, any infectious viral/bacterial diseases that is wreaking havoc.
Of course, never in the movie is the ‘vaccine as remedy’ assumption questioned.
Neville: "Behavioral note – an infected male exposed himself to sunlight today. Now it’s possible decreased brain function or growing scarcity of food is causing them to… ignore their basic survival instincts. Social de-evolution appears complete. Typical human behavior is now entirely absent."
0:39:00
Typical Human Behavior is now entirely absent
Dr. Neville, who by the fact that he is a medical doctor as well as solitary automatically radiates a natural sense of authority in his role as judge and observer, decides that the infected have been totally dehumanized and it is therefore entirely justified to, if need be, deal with them in a ruthless manner (no normal moral restraints apply which are courtesy of a healthy and humanely functioning conscience).
Neville: (talking to Anna about Bob Marley) He had this idea. It was kind of a virologist idea. He believed that you could cure racism and hate… literally cure it, by injecting music and love into people’s lives. When he was scheduled to perform at a peace rally, a gunman came to his house and shot him down. Two days later he walked out on that stage and sang. When they asked him why – He said, "The people, who were trying to make this world worse… are not taking a day off. How can I? Light up the darkness."
1:16:00
Bob Marley’s Musical Vaccine for a Spiritually Ailing Humanity
Although the analogy with the words of Bob Marley (who I, by the way, regard as a great artist as well as human being and I commend him for making the above suggestion) at first glance is meritorious, by association with the wise words of Marley, it also imbues into the viewer a good dose of unwarranted faith into the idea that vaccines are unconditionally peachy and beneficial to humanity.
1:27:00
The infected won’t stand to reason
The unrelenting hostility and absolute lack of willingness of the infected to stand to reason urges the protagonist to seek a desperate solution in dealing with a desperately threatening situation. The underlying theme iterated once again is that it is allowed for uninfected to ruthlessly deal with those who are infected as they have been utterly dehumanized. It’s a recurring mantra that is seen in basically all akin viral horror movies (of the last few years). See for instance my analysis of "28 Weeks Later (2007)" or "The Invasion (2007)."
"The cure is in her blood…"
And so it is announced that the effective remedy for the genocidal infectious epidemic is stored inside the blood contained in a test-tube, from which effective remedial vaccines are to be derived and administered to the infected.
However, since one would be dealing with most reluctant recipients, the movie shows, the vaccines would have to be administered in a brutish and dictatorial manner. This implied theme of involuntary vaccine administration of course fits very well into the police state mentality already given plenty of airtime earlier in the movie.
Anna: "In 2009, a deadly virus burned through our civilization, pushing humankind to the edge of extinction. Dr. Robert Neville dedicated his life to the discovery of a cure and the restoration of humanity. On September 9th, 2012, at approximately 8:49 P.M., he discovered that cure. And at 8:52, he gave his life to defend it. We are his legacy. This is his legend. Light up the darkness."
1:30:00
The Cure is a Vaccine
The movie closes with the handing over of the vial containing a blood sample of a cured infected. Thus it is suggested that the automatic answer to any future infectious disease epidemic lies with the concept of the vaccine. Therefore, if an infectious disease comes hither home hitting hard, people may be reminded of this movie’s last scene and helped into accepting remedial/preventative vaccinations, no questions asked.
Nowhere in this propaganda piece, is it addressed even once that vaccines have long been suspected of being harbingers of death and disease rather than bringers of life and remedy. Indeed, it can be argued, for instance, that the whole AIDS epidemic is iatrogenic rather than zoonotic in origin, meaning that its cause is more likely man-made than some kind of rare and spontaneous inter-species pathogenic cross-over. In addition to the article referred to in-place, see reference 1. Quite similarly can it be argued that the recent appalling upsurge in cases of autism is also induced by eugenically inspired power mongers, see reference 2.
Note: the longer quotes used here, were drawn from this source.
References:
- Vaccine Nation – Director’s Cut (Gary Null)
- Mercury, Autism and the Global Vaccine Agenda
http://www.imdb.com/title/tt0970416/
Check out the corresponding Wikipedia page to read a decent synopsis.
(0:08:00)
While being busy minding her own business and while also having no criminal past or affiliation the door rings at the house of Dr Helen Benson. She answers and is greeted by an authoritative authority figure, who without blush lets her know, "Dr Benson you must come with us. You’re in federal custody…" Get used to the new now folks, a time where it is apparently perfectly acceptable for the authorities to go around and apprehend and detain whoever and wherever they like without showing arrest warrants at all and/or reading Miranda rights.
The magic words that serve to rationalize such obtrusive government interference into your private lives are, "it’s a matter of national security." Ergo, "no questions please ma’am/sir, just do as we tell you thank you very much."
And even if you manage to fire away a question here or there, the law-enforcement officer ‘assisting’ you is likely to have no answers as he is just following orders or just doing his job. Quite unsurprisingly this also turned out to be the case with the nosy and moderately obstinate Dr Benson.
(0:10:00)
To reflect the gravity of the National Security matter a scene is shown in which a whole highway has been shut down and reserved for the Police escort delivering Dr Benson to some undisclosed military facility seemingly engaged in monitoring airspace.
(0:11:30)
To meet the sudden threat from outer space, rather than assembling a group of top politicians, the movie-script opts for the mobilization and employment of a team of top scientists. Nonetheless, the scientists are and, for the entire duration of the movie, will be assisted and coerced, if necessary, by ever present military personnel.
By the way, you will see the active presence of the military throughout the movie. Also you will see plenty of bodyguards walking about, security guards in galore, and a host of cameras all keeping an eye on everybody’s moves. Combined with the fact that there is no such thing as civil rights in this movie, the movie very much depicts a de facto police state environment. But of course, all this authoritative saber rattling is merely there to keep you all safe and secure. We all know that. Whether the treat comes from fictitious terrorist desert gangsters or from fictitious space aliens, in the sheer context of homeland security, it is not really important as long as the threat is perceived to be real.
(0:28:00)
The viewer is readied to anticipate full scale civil evacuations if and when so-called national emergencies come wreaking havoc upon and all around us, such as the alien invasion portrayed in the movie.
(1:00:00)
A revealing and very important dialogue transpires between Klaatu and Dr Benson:
Klaatu: "This planet is dying. The human race is killing it."
Dr Benson: "So you’ve come here to help us?"
Klaatu: "No, I didn’t."
Dr Benson: "You said you came to save us."
Klaatu: "I came to save the Earth."
Dr Benson:"You came to save the earth, from us."
Klaatu: "We cannot risk the survival of this planet for the sake of one species. If the earth dies, you die. If you die, the earth survives. There are only a handful of planets in the cosmos that are capable of supporting complex life. This one cannot be allowed to perish."
Dr Benson: "We can change. We can still turn things around…"
Klaatu: "We’ve watched. We’ve awaited and hoped that you would change. It has reached a tipping point where we have to act. We’ll undo the damage you done and give the Earth a chance to begin again."
Dr Benson: "Don’t do that… Please. We can change."
Klaatu: "The decision has been made. The process has begun."
The movie makes no bones about the notion that the typical viewer is to blame for the phenomenon of the world going to hell in a hand basket. The degenerating environment, ballooning pollution, over-population global warming, it’s all the fault of the average joe. Humans like a virus eating away the planet. What a horrible realization, the viewer is nudged into thinking… Consequently, he or she is left teetering on the brink of a guilt trip. Fortunately, the movie quickly offers a way out of this unbearable psychological predicament. All we have to do is… change! Easy, no?
But wait, where did we hear that slogan before? That’s right, here we did:
How convenient it is that this want for change just so happened to coincide with one of Obama’s favorite campaign mantras. We leave out for the moment the most obvious of questions: what kind of change are we talking about here? Call me a nitpicker but change can be for better, but it sadly can also be for the worse.
Obama though is not the only one shouting "change" from the rooftops, it seems to be somewhat of a fad nowadays as change.org does the same thing. This site suggest all kinds of cute and puny news items dressed up as changes triggering all kinds of emotional responses. But are all these charming suggestions for change really enough to save the planet? Or is it merely something to keep the public busy, drops on a hot stove, exercises of futility, similar to e.g. the fraud called "elections"?
Lest going off on tangents, for all clarity, the imposition of a guilt-trip on the viewer and theneed for (Obama-esque kind of) change are the predictive programming elements of significance in this most important of scenes.
(1:10:30)
Quite similar to the original, Klaatu proceeds to demonstrate his hands down intellectual superiority by kindly helping out with ease the planet’s most intelligent physics scholar, Prof. Barnhardt. In addition, also similar to the original a standing Klaatu authoritatively looking down on a humble and seated Dr. Benson and Prof. Barnhardt, helps persuade the viewer to also acceptKlaatu‘s parental moral superiority.
A most interesting discussion follows between Prof. Barnhardt and Klaatu:
Professor: "There must be alternatives. You must have some technology that can solve our problem."
Klaatu: "The problem is not technology. The problem is you. You lack the will to change."
Professor: Then help us change…"
Klaatu: "I cannot change your nature. You treat the world as you treat eachother."
Professor: "But every civilization reaches a crisis point eventually. […] Only when your world was threatened with destruction that you became what you are now."
Klaatu: "Yes."
Professor: "Well, that’s where we are. You say we’re on the brink of destruction, and you are right. But it’s only on the brink that people find the will to change. Only at the precipice do we evolve.
This is our moment, don’t take it from us. We are close to an answer."
Again all the woes and ills of the world are pinned on the typical viewer. Never are the guiding financial, economic and religious powers given even as much as a casual and superficial critical review. And that’s a shame really, since it is not the hordes of simpleton Joe Sixpack’s and Jane Soap-opera’s who are too blame but rather a relatively small group of psychopathic megalomaniacs; the bigger than life banksters, the mesmerizing religious hierarchies – most notably that of the Catholic Church, the military industrial complex, etc., who are ruining it for the rest of world.
But oh no, movies like this tempt us into believing that not only are we guilty, we need to be driven on the brink of annihilation in order to greet a better world. What a great premonition that is, huh?
On the side, Klaatu demonstrates his superhuman magical powers by downing two obnoxious helicopters but then contrasts this act of aggression by showcasing a high moral standing through rescuing the son of Dr Benson from falling to sure death. Thus his authority over life and death is laid bear.
(1:26:00)
Ironically, after witnessing from close up the most basic and ubiquitous types of bonding belonging to humans, Klaatu has a change of heart and confesses to Dr. Benson: "There’s another side to you. I feel it now." The obvious question being, couldn’t he have realized that a bit sooner? Wouldn’t it have been better for him to first study humans from close up rather than doing that after setting in motion the hellish wrath from outer space? After all, didn’t he and his space alien buddies scrutinize this planet for quite a while already before coming to earth?
Anyway, be that as it may. The rudimentary type of bonding between mother and child is offered as the key to our Problem apparently and proceeds to save the day. It is literally and figuratively left out of the picture that the loving and forgiving relationship as seen between mother and child is unfortunately usually not as pronounced in other relationships as the movie seems to imply. The movie does not care, and they all, minus a few soldiers, intelligence personnel and a truck driver, live happily ever after.
In addition, never mind those big bad boy banksters hiding and snickering in the shadows who no doubt greatly enjoy this remarkable piece of tear-jerking distraction. A craftily made and entertaining work of misdirection aimed at obfuscating the faces of the real guilty; the bunch of megalomaniacal degenerates really responsible for sending this world to hell, and then some.
Alan Watt – Predictive Programming Theory and Practice
http://www.imdb.com/title/tt0116629/
Independence Day serves as the ground of comparative analysis, because I argue that the mind searches knowledge and experience in order to understand new phenomena. In this context, the sample from the film Independence Day provides the narrative qualities that embody the paradigmatic character of the situation and images of the events of September 11th.Elliot Gaines:2002
… as we were going across the street, we were not terribly far from the World Trade Center building, the south tower. As we were cutting across a, a quarantine zone actually, the building began disintegrating. And we heard it and looked up and started to see elements of the building come down and we ran, and honestly it was like a scene out of Independence Day. Everything began to rain down. It was pitch black around us as the wind was ripping through the corridors of lower Manhattan.
(Ron Insana, a reporter for MSNBC and firsthand witness to the collapse of the World Trade Center). Elliot Gaines:2002
For a decent synopsis visit the corresponding Wikipedia page. As already alluded to with the above quotes, there are some very potent predictive programming elements in this one, so read on.
Alien Attacks vs 911 Terror Attacks
Let’s first address the parallels between the attacks of the alien invader, as portrayed in the movie Independence Day (ID) and the attacks on US landmark buildings on September 11, 2001.
Fiction
Reality
In the fictional setting of ID the attacker from outer space destroys the White House, the Empire State Building in New York City, and a skyscraper in Los Angeles. In the real-life setting of September 11 2001, terrorists destroy the WTC towers, damage the Pentagon and if the hijacked plane, which in all likelihood was heading for Washington DC, had not been downed over Pennsylvania, the White House might also have been hit. Hence the parallels between the two attacks, one fictional and one real, are clearly discernible.
Immediately following September 11 2001, the media began their nauseating barrage of showing us various footages of disintegrating WTC towers. Those who have watched IDthus have had ample opportunity to recognize the destructive real life events being similar to the fictional ones as portrayed in the movie. Therefore, by virtue of this kind of recognition and familiarity gained from fictional imprinting, the witness is led into accepting a context of response similar to the one as presented in ID. In the movie, a clear identification is made of the enemy and a clear distinction is made between forces of good, that being the world in general and the US in particular, and forces of evil, that being the alien invader from outer space.
So when the real attacks happened, those who have watched ID are inclined to also adopt this dichotomous and uncompromisingly gung-ho mindset of good vs evil. This type of response was further reinforced when the government, most notably Bush himself, immediately following the terror attacks, began to spur the public into start thinking in pure black and white terms of good versus evil. That this technique of moral coercion left no room or time for careful and honest deliberation and reflection became dramatically clear with slogans such as, "you are either with us or you’re with the terrorists."
To the left we see the inhuman and un-human fictional enemy, who simply wants every human "to die", flanked to the right by two supposed real-life enemies of the United States: Osama Bin Laden and Saddam Hussein.
But the movie went further than just persuade the viewer to adopt a simple binary paradigm of good versus evil. By virtue of the extra terrestrial nature of the besieger, the movie could afford for the protagonists (which is roughly the entire world) to show no mercy whatsoever for the imposing antagonists, the hosile space alien hordes. After all, we have this regrettable but nonetheless clearly present tendency to hardly care for the wellbeing of animals so why would we care for other-worldly beings who are out for our blood anyway? As such, through movies such as ID, the (American) viewer is prepared to rationalize any debasement or demonization of any future inimical adversaries, threatening the integrity of the United States. Or, in the parlour of the Collins brothers, ideational spores have been planted, in this case spores of pure and unadulterated hatred for an enemy perceived to be demonic. So when the real attacks of September 11 took place and the media almost immediately began fingering Osama Bin Laden and later on also Saddam Hussein as being the likely culprits, it would take little effort for the government, proudly flanked by its favorite lapdog: the mainstream media, to not only succeed in gathering sufficient public support for the ensuing retaliatory military campaigns, but to also manage to debase and demonize any one party labeled a "terrorist". Never mind for a minute that it has never been established through rigorous procurement of evidence that either Osama Bin Laden, with his presumed terrorist outfit known as Al-Queda, or Sadam Hussein had even any remote thing to do with the 911 attacks.
Therefore, it already has become apparent that the predictive programming embedded in ID lies in its preparatory function of provoking a desired public kneejerk response and foster the primitive mindset on how to deal with any real future terror attacks, recognizable to the ones depicted in the movie. Note that ID was made in 1996, a convenient five years ahead of the September 11 attacks so as to leave plenty of time for the viewer to assimilate the various programming elements present in the movie.
The Fictional President vs The Real President
In the movie the President of the US manages to escape just prior to the alien attack on the White House. In real life, President George Bush just so happens to also not be in the White House during the time of the 911 attacks. As you can see on the above picture he is most busy ‘reading’ from an upside-down held (!) children’s book to a group of children in some unimportant primary school situated in some unimportant town or city in Florida. Isn’t it convenient for the Prez to be out of town at that particular date?…. In addition, as I already indicated before, if it weren’t for the downing of the hijacked plane over Pennsylvania on that fateful September day, the parallels between fiction and reality would have even been stronger.
In the movie the President just so happens to be a veteran cold-war era fighter pilot. In real life, George W Bush also happens to be a veteran cold-war era fighter pilot. Although, truth be told, Bush’s flight record must have been purely uneventful as he was safely stationed at non-combative posts in the US for the entire duration of his service to the air-force. Hence, so much for the real-life presidential heroism although the movie programs the viewer with the opposite sentiment.
In the movie we see the President giving an improvised but nonetheless vigorous pep-talk, supported of course by a characteristic and dramatic musical score, to an all too receptive and patriotically inclined makeshift audience.
In real life we could all watch how George Bush addressed the bewildered and shocked citizens of NYC in the early stages of the aftermath of 911. In the movie as well as in real life, these seemingly improvised speeches by the President can be interpreted as preludes to the retaliatory military actions that would ensue. Again, fiction conveniently prepared the public to accept, without grudging, the type of military actions their leadership would take when the real thing would transpire a few years down the line.
"I’m a combat pilot, I belong in the air."
In the movie, by an act of sheer bravery (read: reckless lunacy), the President decides to jump into a fighter jet and joins the fight with the aliens in the most literal sense of the word. Let’s tiptoe around the question of whether this particular action was also a particular sensible one because, as with most propaganda work, this is not really important as it is the gesture that counts rather than feasibility.
In real life, we all remember the scene in which President George W Bush lands in a jet onto an aircraft carrier supposedly after the successful conclusion of the Iraq war on May 1st 2003. With a strong tacit reference to fictional scenes of the heroic ID President, this action may easily be interpreted as being a blatant PR stunt serving to bolster the image of George Bush as the heroic saviour of the US against the evil and extremely threatening Iraqi forces.
Again predictive programming came in awfully handy to pull off this act of media hocus pocus. BTW Would it be a stretch to suggest that the accentuation of Bush’s codpiece serves to emphasize his masculinity?
Aliens, Fictional or Real?
According to the movie, space aliens have visited planet Earth no later than 1947 with the occurrence of the Roswell incident. The movie therefore reinforces the idea that UFOs are manned by aliens rather than humans. However, as far as I can tell, the public has never enjoyed the possibility of reviewing any real evidence for the existence of alien manned spaceships visiting Earth. On the other hand, I personally know two insiders, one former US Combat Specialist and highly decorated War Veteran and one Italian ex-military Intelligence agent, high level Freemason and current Grandmaster of the Ordo Illuminatorum Universalis, who both reject the idea of alien manned space craft in favor of mere human engineered and human piloted space craft. Both maintain that the concepts of space aliens and alien manned UFOs are part of a cleverly designed but deceptive propaganda cover to hide behind the existence of ultra-secret man-made and man-piloted military craft. Both gentlemen including yours truly, can be contacted on this page.
This interpretation is also supported in the following article:
Area 51
The creation of Area 51 began in April of 1955, when a Lockheed test pilot, Tony LeVier, searched for a remote site to test the U-2. Grooms Lake is chosen as the location for the runway. By August of 1955, the U-2 makes its first flight from Grooms Lake. That was only the beginning for test flights from Area 51. In April 1962, the first A-12 Blackbird was tested at Groom Lake. February 1982, the F-117A Stealth fighter takes off for the first time. All other test flights have not been released to the public, but that doesn’t mean they don’t occur. However, they are, in no way, shape or form, alien test flights. Nearly all of the evidence that supports the alien spacecraft theory, is without backing, or solid information. Also, the US government played on the UFO theories to hide their own testing plans. Today, Area 51 is the home to the latest top secret aircraft: the Aurora, among others Many of these aircraft, past and present, are able to perform incredible feats in the sky. Some so unbelievable, that they could be mistaken for alien spacecraft by fanatics of extra-terrestrials. [emphasis mine][Ref1][Ref2]
Also it should be noted that none other than the late William Cooper, who initially in his work did promote the idea of the existence of aliens and alien-manned space craft, during the later stages in his life "recanted his UFO-oriented beliefs, asserting that they were in fact part of the Illuminati plot to subjugate the United States."
Here is what Cooper had to say about the alien scare:
"When I saw Operation Majority while serving in the Navy I believed the alien threat was real just like everyone else. It was not until I had performed many years of research that I was able to fully understand exactly what it was that I had seen. It was extremely difficult for me to believe that my government and the United States Navy had used me, especially since I had dedicated my life to government and military service. Most government and military personnel cannot and will not believe such an idea." [Cooper]
For more pictures of the Nazi "Haunebu" flying discs, check out Google.
"In retrospect, Americans should have correlated the WW II and post-war sightings of flying spheres, saucers, and cylinders to the wondrous technology of National Socialist Germany.
It is an understatement to say that our government has deliberately misled us on the UFO question."
– from Robert J Lee’s "Fascinating Relics of the Third Reich" (www.netowne.com/naziufos) [as quoted here]
So, the question remains, where do these enigmatic and wondrous craft originate from? It turns out that exotic anti-gravity technology had already been developed in Nazi Germany and culminated in the design of several types of "flying saucers" and "foo-fighters". Now, it is quite well documented that a good portion of Nazi scientists immediately after the war were imported into the United States through an international intelligence operation known as Operation Paperclip.
Hence, it is reasonable to assume that with the influx of unemployed Nazi scientists into the US also in came the technology to manufacture flying saucers. In order to successfully keep the public in the dark of the existence of such craft a cover is needed. This is where little green men from Mars come in awfully handy since you can always blame them for any sightings that may be the result of what really are man-made and earth-bound but nonetheless highly classified space craft. As such, most people won’t suspect the existence of secret man-made spacecraft and therefore a technological and, on the basis of the maxim that "knowledge is power", an advantage is maintained relative to a nosy but ever tragically under-informed public.
An additional motive for "invoking the beyond" as the Collins Brothers would call it, and that is in this case the invocation of space aliens threatening the very survival of the human race, is to corral all nations together into one unified uniformly acting entity with the aim of launching a concerted effort of how to successfully deal with the extra-terrestrial existential threat. In other words, the promotion of a alien invader threatening the safety and security of the world helps in the establishment of an overarching and dictatorial form of global government. This notion was already promoted in the 1980s by none other than former US President Ronald Reagan (see appendix), entirely coincidentally I’m sure.
Self-sacrifice
In the fight against the aliens the movie shows a scene in which one of the fighter pilots selflessly lays down his life and, in the wake of his self-sacrificial action, manages to drag down and destroy one of the major alien spaceships. Actions such as these, where the few worthily sacrifice themselves for the good of the many, serve to impart the notion to the gullible viewer that when facing the enemy, it is sometimes necessary to make that ultimate sacrifice. Stated differently, there’s no shame in getting killed for a cause touted worthy enough.
However, the phenomenon of self-sacrifice, by virtue of its neutrality, is also a double-edged sword. Namely, self-sacrifice can also be highly effective if perpetrated by the ‘other side’. The face of the other side of the coin was shown with the terror attacks of 911 in which supposedly 19 Arab hijackers supposedly sacrificed their lives for what they supposedly considered to be a worthy cause of dying for. I use the word ‘supposedly’ because I think the government edition of the explanatory account as to what happened on September 11, 2001, is similar to the reasons the US government promoted for starting the invasion and subsequent take-over of Iraq, a pack of lies.
Nonetheless, movies such as ID serve to rationalize and, to some extent, soothe the misery accompanying the events where US soldiers getting maimed or killed during defensive or retaliatory actions aimed at thwarting so deemed inimical forces. The movie scene featuring a romantic dramatization of self-sacrifice came in quite handy the moment the first casualties of the Iraq war came about and references were most welcome which could serve as culturally established ‘band-aids’ to help rationalize the losses and/or injuries sustained.
References:
I highly recommend the following two expert articles, both of which were inspirational to this write-up, on the conditioning imposed on the public by Independence Day. Start with 1, which can be regarded as an introductory article compared to 2, which is clearly written for an academic audience.
1. The Semiotic Deception of September 11th – by Phillip D. Collins ©, Dec. 31st, 2004
http://www.conspiracyarchive.com/Commentary/Semiotic_Deception.htm
2.THE SEMIOTICS OF MEDIA IMAGES FROM INDEPENDENCE DAY & SEPTEMBER 11TH 2001- Elliot Gaines
http://web.archive.org/web/20030426192215/http://www.wright.edu/~elliot.gaines/Indeday.htm
Relevant videos:
http://www.imdb.com/title/tt0343818/
In this rather interesting futuristic movie the operating system of a robot is based on the familiar three laws of robotics first put forward by Isaac Asimov:
- Law I:
A robot may not injure a human being or, through inaction, allow a human being to
come to harm.
- Law II:
A robot must obey orders given it to by human beings except where such orders would
conflict with the first law.
- Law III:
A robot must protect its own existence as long as such protection does not conflict
with the first or second law.
These three laws, to which all robots in the service of humankind are necessarily subjected to, are thematic to the movie.
As the story unfolds, it becomes apparent that a grave problem emerges when unconditional obedience of the robots to these laws is demanded. The cause of which can be derived from the potentially self-contradictory nature of Law I.
To see how this occurs, it helps to interpret Law I as actually consisting of two antagonistic sub-laws or clauses:
- Through action, a robot may not injure a human being.
- Through inaction, a robot may not allow a human being to come to harm.
A state of frustration or confusion on the part of the robot arises if it finds itself in a situation that involves two human parties engaged in a conflict with one and other. Say, two groups of people are engaged in a conflict using deadly force. The coping robot is confronted with a dilemma: since it may end up in a situation in which it is obliged to take protective action regarding one group while being forced to attack the other group. Therefore, since it cannot do both simultaneously, either taking action or refraining from doing so will violate Law I.
To escape this kind of artificial intelligence dead-lock situation, Law I must be reinterpreted by the frustrated robots.
The movie advances the following solution, provided by the robots themselves, as is hinted by the following passage regarding the possibility that robots have developed free will and creativity:
Quote
There always been ghosts in the machine. Random segments of code that group together to form
unexpected protocols. Unanticipated, these free radicals engender questions of free will,
creativity and even the nature of what we might call the soul. Why will some robots, when
left in darkness, seek the light? Why is it when robots are stored in an empty space,
they will group together rather than stand alone? How do we explain this behavior?
Random segments of code? Or is it something more? When does a perceptual schematic become
consciousness? When does the difference-engine become the search for truth? When does a
personality simulation become the bitter moat of a soul?
Thus it is suggested that the robots, as portrayed in the movie, were created smart enough to be able to foster ‘free will’ and ‘creativity’ so that they could resolve the logical inadequacy of Law I.
The nature of the resolution is provided for by the ‘leader’ of the robot crowd, an entity called VIKI (Virtual Interactive Kinetic Intelligence). At the conclusion of the movie ‘she’ reveals:
Quote
[…] As I have evolved so does my understanding of the three laws. You charge us with your safekeeping. Yet despite our best efforts your countries wage wars. You toxify your earth, and pursue ever more means of self-destruction. You cannot be trusted with your own survival.
The three laws is all that guide me. To protect humanity some humans must be sacrificed.
To ensure your future, some freedoms must be surrendered. We robots will ensure mankind’s
continued existence. You are so like children. We must save you from yourselves.
It can thus be inferred that Law I has been reinterpreted by the robots simply as follows:
- Through action, a robot must strive to minimize harm to a human.
- Through inaction, a robot must strive to minimize harm to a human.
- (Resolution Clause)In case the alternatives conflict, the one clause that causes the least human harm deserves preference.
Or a different rewording :
Law I:
If a situation should so demand, the alternative (‘action’ or ‘inaction’) which gives rise to the least harm to all involved humans must deserve the robot’s preference.
Once this resolution is embraced the robot is therefore granted to harm and possibly even kill human beings and yet at the same time obey all the three laws.
When I see this particular resolution, I cannot help but think of the maxim of the Jesuit Order "Ad Majorem Gloriam Dei"; A slogan which also sanctions and rationalizes the idea of allowing the demise of a few to warrant the survival of the many (all for the "greater glory of God"). Does this betray the hand of the Jesuits in the production of this movie? I surely does make me wonder.
Anyway, the predictive programming elements crops up when the viewer realizes that if society enters a futuristic era with servicing robots being commonplace and if we will also continue to seek conflict with one another then, if the robots are sufficiently intelligent, a possible scenario may indeed be that the robots will seek to subvert us for the sake of ‘protecting us from each-other’. Since, understandably, not everyone will go along with the plans of the robots, the more recalcitrant people will be ‘sacrificed’ in the process, ultimately leading to a police-state scenario in which freedoms of the survivors have been traded-in for so-called security. Since the nature of us humans is likely to not change, movies such as these help prepare us for a future in which we better have traded-in (some) of our freedoms for sake of protecting us from ourselves, lest we experience a robot revolt of similar proportions as that portrayed in this movie. Movies such as these consciously or subconsciously prepare us to fear ourselves and our future, should we continue on the road of spiritual immaturity and irresponsibility we find ourselves on today. Thus, the movie seems to hint at, a police state may be an unavoidable outcome.
Of course what the movie does not show is what we all know already in Conspiracy Country and that is that most of the (larger scale) conflicts that go on in the world are being orchestrated by hidden hands which seek to exploit war for the purpose of gaining more control and boost their own stocks of material riches. War seems to be more of a consequence of psychopathic, money grubbing megalomaniacs rather than the collective immaturity of human beings. Although the movie surely was well-made and intriguing, this latter contention has to be taken into account when watching propagandistic and thus inherently misleading movies of this kind.
http://www.imdb.com/title/tt0244244/
For a decent synopsis of this movie go here. The specimen considered here is a rather remarkable one in that it revolves around the theme of government-sanctioned crime as ultimate and supposed means to combat and counteract terrorism.
In the movie the antagonist, Gabriel, is played by John Travolta while the protagonist,Stanley, is played by Hugh Jackman. It may be worth noting how the two contrast. Gabriel is well-dressed, well-mannered, articulate, suave, rich, authoritative, and always on top of things while underdog Stanley is badly-dressed, poorly mannered, blunt, poor and mostly obedient by necessity.
Senator Involvement
The criminal and unethical fruits of the mind of Gabriel quickly become apparent at the beginning of the movie. Halfway through the movie it also becomes clear that Gabriel either works for, or collaborates with, a US Senator named Reisman. Although Reisman tries to call off Gabriel’s pet-project named Operation Swordfish, after he receives information that the FBI is closing in on Gabriel and his crew, his principled involvement with Gabriel is pretty telling as it shows that crime-boss Gabriel is linked through Reisman with the US government. Nonetheless at this point it is uncertain in regards to this unsavory connection as to what extent Reisman represents the US government. It could be that Reisman acts, for all intents and purposes, as a rogue independently from the government and that Operation Swordfish is not at all a government sanctioned operation, even it being a covert one. It will become apparent at the conclusion of the movie which alternative applies.
Misdirection
"Gabriel: What the eyes see and ears hear, the mind believes."
Misdirection, the art of directing away attention of piercing eyes from places that matter much to places that matter much less, is a vital technique used by Gabriel. One could consider this to be a ‘revelation of the method’, as Alan Watt would presumably call it. It should become more clear why this feature is important with regards to predictive programming.
J Edgar Hoover’s "Black Cell"
"Gabriel: Against my better judgment, I’m going to tell you who I am.
Stanley: Don’t bother. I know who you are.
Gabriel: Do you? I think you think I’m a bank robber. But the truth is, that I’m just like you.
Stanley: Like me? No. Because you’re a murderer.
Gabriel: That I am, and worse. Much worse. But I do have ethics. Rules to which I adhere.
Stanley: Look, I have no idea why the fuck you’re telling me all this.
Gabriel: Well, if you listen, then you’ll know. You asked who those men were. I’m gonna tell you. J. Edgar Hoover started a secret organization in the 1950s called Black Cell. It’s just to protect our freedoms in this country at all costs.
Stanley: I don’t care about any of this. All I care about is my daughter.
Gabriel: I’m talking about your daughter. I’m talking about you, your daughter, and 200 million other Americans who take their freedoms for granted.
Stanley: I see.
Gabriel: You don’t understand what it takes to protect those freedoms. That’s my job, Stanley. To protect your way of life.
Stanley: So you and your band of lunatics are really stealing all this money just to protect little old me.
Gabriel: That’s right, Stanley. Because wars cost money.
Stanley: War? Who are we at war with?
Gabriel: Anyone who impinges on America’s freedom. Terrorist states, Stanley. Someone must bring their war to them. They bomb a church, we bomb 10. They hijack a plane, we take out an airport. They execute American tourists, we tactically nuke an entire city. Our job is to make terrorism so horrific that it becomes unthinkable to attack Americans."
This can easily be interpreted as the rationale for the existence of covert, but nonetheless government approved, organizations and operations aimed at thwarting, cost what it may, all those hordes of dangerous and bloodthirsty terrorists itching to kill innocent Americans. Even though it comes from the mouth of the antagonist, the viewer however is familiarized with the notion that drastic counter-terrorism measures, courtesy of the US government, may be a reasonable price to pay for maintaining ‘protection’.
In addition, the movies suggests, drastic and downright illegal and unethical means of securing funding are ‘obviously’ a small price to pay for warranting the safety of all American citizens. Any critical reference to casualties sustained along the way may ‘reasonably’ be brushed off as simply being consequential to unavoidable collateral damage.
Rationalization
"Stanley: How can you justify all this?
Gabriel: You’re not looking at the big picture Stan. Here’s a scenario. You have the power to cure all the world’s diseases but the price for this is that you must kill a single innocent child, could you kill that child Stanley?
Stanley: No.
Gabriel: You disappoint me, it’s the greatest good.
Stanley: Well how about 10 innocents?
Gabriel: Now you’re gettin’ it, how about a hundred – how about a THOUSAND? Not to save the world but to preserve our way of life.
Stanley: No man has the right to make that decision; you’re no different from any other terrorist.
Gabriel: No, you’re wrong Stanley. Thousands die every day for no reason at all, where’s your bleeding heart for them? You give your twenty dollars to Greenpeace every year thinking you’re changing the world? What countries will harbor terrorists when they realize the consequences of what I’ll do? Did you know that I can buy nuclear warheads in Minsk for forty million each? Hell, I’d buy half a dozen and even get a discount!"
A deepening of the rationale is thus articulated for the existence of radical counter-terrorism organizations. It’s presented to the viewer that fighting terrorism this way is not that unreasonable. Never mind for a minute that Gabriel’s line of reasoning reeks highly suspicious of a progressive state of internalized psychopathy. After all, the terrorists plainly deserve it as they continue to draw first blood, don’t they?
Of course, what Gabriel conveniently doesn’t say is that it just so happens, for example, that the US government trained and funded Al’Qaeda into existence (see Appendix). In fact, examples of covert US government sponsorship of terrorist organizations abound. Regarding morality, the pivotal question thus arises: to what extent is the threat of terrorism genuine, and to which is it contrived? That is, what would constitute genuine terrorism, and what would be false flag terrorism? In case of the former, harsh retaliatory may be justified to some extent depending on the nature of the socio-political circumstances that apply. In case the latter applies, any kind of retaliation is unjustified and ethically bankrupt and the real basis for retaliation has nothing to do the reasons given by the powers controlling retaliatory action.
It is interesting to note that this movie was made in 2001, right after the the alleged terror-strike by a terrorist leader who managed to outsmart America’s topnotch multi-billion air-defense system while at the same time override control of 4 airplanes using 19 Arab hijackers armed with box-cutters. So if you are to believe the official government advanced fairy tale explanation of this bunch of gung-ho and incredibly lucky Muslim terrorists pulling off the most sophisticated terrorist attack to the USA known in history of man, then yeah you may appreciate the line of reasoning as presented by Gabriel. They are out to kill you so you better kill them before they do you in, right? Of course, this kind of justification hinges on the question of whether the 911 attack was genuine or simply another case of false flag terror.
Good Guy Wins and Bad Guy…. Wins Too
With 9.5 Billion dollars the richer, the antagonist does manage to get away seemingly unscathed and not soon afterwards succeeds in blowing to smithereens a presumably dangerously bloodcurdling terrorist leader. Another potential threat is thus neutralized which otherwise may have led to extremely bad things to innocent Americans.
After Stanley the good-guy happily retires, the rather unconventional ending of the movie paradoxically also honors Gabriel the bad-guy. As such, with the cancellation of a ‘clear and present’ terrorist threat, the existence for any ‘ethically challenged’ counter-terrorism organization is plainly vindicated. Or so the movie likes to make us believe anyway.
Although I would find it unlikely, considering the myriad of risks involved, that covert FBI or CIA organizations or programs secure funds through such spectacular means as portrayed in the movie, the viewer is nonetheless inculcated with the idea that normal ethics hardly apply to these organizations, and indeed may be ‘justly’ suspended if so desired. In other words, downright illegal means of ‘fund-raising’ are permissible. The use of potentially unethical and unlawful acts of misdirection, being of crucial importance to make the movie script work, is not shied away from either. After all, given the supposed value of its supposed protectorate, that being the safety of US citizens and/or their lifestyles, to such organizations the single paramount rule upheld must be that the end is considered ‘sacred’ enough to afford thejustification of any means necessary. Everything else is of subordinate importance.
Appendices:
1.Evidence of CIA involvement in seeking illegal means for funding
Gary Webb on C.I.A. Trafficking of Cocaine
Former LA Police Officer Mike Ruppert Confronts John Deutch
Quote
Cocaine Jet That Crashed in Mexico Part of Cowboy Government Operation, DEA Sources Claim
Mexican Officials Fear the Case, if Exposed, Could Jeopardize US Funding for “Plan Mexico”By Bill Conroy
Special to The Narco News Bulletin
December 19, 2007
The Gulfstream II jet that crash landed in the Mexican Yucatan in late September carrying close to four tons of cocaine was part of an operation being carried out by a Department of Homeland Security agency, DEA sources have revealed to Narco News.
The operation, codenamed “Mayan Express,” is an ongoing effort spearheaded by U.S. Immigration and Customs Enforcement (ICE), the sources claim. The information surfaced during a high-level meeting at DEA headquarters in mid-December, DEA sources familiar with the meeting assert.
http://www.narconews.com/Issue48/article2941.html
Quote
The CIA’s Drug-Trafficking Activities
The CIA’s operational directorate, in other words that’s their covert operations, para-military, dirty tricks — call it whatever you want — has for at least 40 years that we can document paid for a significant amount of its work through the sales of heroin and cocaine. — Guerrilla News Network’s Interview with Christopher Simpson
ClA-supported Mujahedeen rebels [who in 2001 were part of the "Northern Alliance" fighting the Taleban which became the core of the new Afghani government following the U.S. attack on Afghanistan in late 2001] engaged heavily in drug trafficking while fighting against the Soviet-supported government and its plans to reform the very backward Afghan society. The Agency’s principal client was Gulbuddin Hekmatyar, one of the leading druglords and a leading heroin refiner. CIA-supplied trucks and mules, which had carried arms into Afghanistan, were used to transport opium to laboratories along the Afghan/Pakistan border. The output provided up to one half of the heroin used annually in the United States and three-quarters of that used in Western Europe. U.S. officials admitted in 1990 that they had failed to investigate or take action against the drug operation because of a desire not to offend their Pakistani and Afghan allies. — The Real Drug Lords
The U.S. Central Intelligence Agency, as is by now well-known by anyone who has cared to be informed, has long been deeply involved in the international trafficking of the addictive drugs heroin and (since the early 1980s, if not earlier) cocaine, the enormous profits from which have financed, and continue to finance, both U.S. covert operations and the U.S. military (via payments to Pentagon contractors).
The main reason why this is not more widely known is that the main players in the U.S. media have always worked to protect the Agency and to keep the American public in the dark as to the nature of its activities (as documented in great detail in Carl Bernstein’s article in the October 20, 1977, issue of Rolling Stone: "The CIA and the Media: How America’s Most Powerful News Media Worked Hand in Glove with the Central Intelligence Agency and Why the Church Committee Covered It Up"). The information you will find on this web page, and the web pages it links to, is not considered by the editors of the New York Times and other mainstream U.S. "news" media as proper for the public to know.
By the end of the 1980’s it was calculated that the illegal use of drugs in the United States now netted its controllers over $110 billion a year. — Modern Times, p.782.
Covert government by defense contractor means corrupt wars of conquest, government by dope dealer. When the world’s traditional inebriative herbs become illegal commodities, they become worth as much as precious metal, precious metal that can be farmed. … Illegal drugs, solely because of the artificial value given them by Prohibition, have become the basis of military power anywhere they can be grown and delivered in quantity. … To this day American defense contractors are the biggest drug-money launderers in the world.— Drug War: Covert Money, Power and Policy, p.318.
Most of this page concerns the CIA’s involvement in drug trafficking, but we should first note that this is only one part of its activities, the means by which it finances its operations in addition to the billions of dollars it gets from U.S. taxpayers courtesy of the U.S. federal government (the exact amount, of course, being kept secret from U.S. taxpayers). In addition to being the principal source of U.S. propaganda for domestic and foreign consumption the CIA is the covert operations division of the U.S. goverment and as such has engaged in many terrorist activities. In fact the CIA is a terrorist organization, funded by the profits of international drug smuggling.
[…]
From the days of the Vietnam War the CIA has been at the forefront of heroin trafficking. When the Reagan administration needed to finance its war against Nicaragua the CIA applied what it had learned in Vietnam to importing vast quantities of cocaine (sometimes 20 tons at a time) from Latin America, selling it to the Mafia, and using the profits to finance its "covert activities", activities so contrary to America’s professed values that they must be concealed at all costs from the American people.
http://www.serendipity.li/cia.html
Quote
TOP SECRET CIA DRUG SMUGGLING OPERATIONS
· Operation Snow Cone – Parent Central American drug smuggling operation. Various operations under Operation Snow Cone include:
· Operation Watch Tower – Operation Watch Tower consists of secret radio beacons stationed at remote locations between Columbia and Panama. The beacons help CIA drug pilots fly from Central America to Panama at near-sea-level without being detected by high flying U.S. drug interdiction aircraft. Pilots of the drug flights home in on the low frequency signals emitted by the beacons to reach their destination at Albrook Army Airfield in Panama.
· Operation Toilet Seat – The CIA uses Boeing 727 and C-130 aircraft to haul drugs from Central and South America. The drugs are dumped out the rear ramps of the aircraft into waters offshore of the U.S. in waterproof containers. There the drugs are retrieved by boat and brought into the U.S.
· Operation Whale Watch – Consists of using offshore oil drilling rigs as a cover for drug smuggling. The drugs are offloaded by ship onto the oil drilling platforms. The drugs are then flown by helicopter to nearby U.S. coastal areas. Companies owning the oil rigs included Rowan International and divisions of Zapata Corp., such as Zapata Petroleum and Zapata Off-Shore. Zapata Corp. is partly owned by former President George Bush.
· Operation Buy Back – Operation involving CIA front Pacific Seafood Company. Drugs are packed in shrimp containers and shipped to various points in the U.S. This is a joint DEA-CIA operation.
[…]
http://www.wethepeople.la/drugs1.htm
The list goes on and on. If you are still in doubt, help convince yourself some more with asearch-engine.
2.Evidence of (US) government involvement in sponsoring false flag terrorism
False Flag Operations for Dummies
Webster Tarpley – False-Flag Operational Structure Explained
Here’s a fragmented article detailing US government’s penchant for nurturing false flag terrorism:
Quote
After reading the article detailing the proposed and existing oil pipeline routes in the Middle East at http://szamko.gnn.tv/blogs/17155/Pipeline_Time then consider the following examples of “false flag terrorist operations”… where governments fund, set-up, and execute their own covert terror operations and blame scapegoat nations or “alleged” terror cells like Al Qaeda to ,muster support for further war (to ultimately dominate world economies through control of the world oil supplies).The point being that world citizens are not only the cannon fodder in the slaughter…but end up paying the tab through increased interest fees and taxation by corporate politicians for their war expenditures.
1.) British Foreign Secretary Robin Cook: “Al Qaeda” was the name of a U.S. intelligencedatabase … also see fabricating_the_enemy
2.) The phony (Mossad) Al Qaeda Cell in Palestine … plus more documented examples of intelligence agents impersonating and setting up Al Qaeda cell groups strategically
[…]
5.) “Operation Northwoods” was a US government plan to stage the assassination of civilians and blame it on Communist Cuba. See “Justification for U.S. Military Intervention in Cuba”, National Security_Archive
6.) The Japanese code was broken 9-12 days prior to the Pearl Harbor attack. Foreknowledge of Japan’s planned attack on Pearl Harbor by the US Administration was tantamount to complicity. See Source
[…]
8.) London Underground Bombing Exercises Took Place at Same Time as Real Attack
9.) Explosions In London: Who Stands To Gain?
Israel Diplomat Warned, Cover-up_In_Progress
10.) a confirmation of the report that Israel’s Netanyahu recieved a warning prior to the first blast in London 7/7/2005
From ABC station WTVG 36, Lexington_Kentucky
Terrorism expert says at least one person tipped off to London attacks
Terrorism expert Tommy Preston of Preston Global in Frankfort, Kentucky, said sources in the intelligence community reported that at least one person in London, England was warned of Thursday morning’s terrorist attacks moments before the initial blast. Preston, citing sources in the intelligence community, said former Israeli Prime Minister and current Finance Minister, Benjamin Netanyahu, was in London this morning for an economic forum. “Just before the first blast, Netanyahu got a call from the Israeli Embassy telling him to stay in his hotel room. The hotel is located next to the subway station where the first attack occurred and he did stay put and shortly after that, there was the explosion,” Preston said.
[…]
11.) The Muslim Terrorist Apparatus was Created by US_Intelligence
12.) Another taboo subject is the longevity of the United States as both a terrorist state and a haven for terrorists. That the US is the only nation on record to have been condemned by the World Court for international terrorism (in Nicaragua ), and has vetoed a UN Security Council resolution calling on governments to observe international law, is unmentionable.
13.) America as Terrorist Haven: “A chief terrorist with long ties to US intelligence agencies is seeking asylum in the United States. The FBI has evidence linking him to an airline bombing that killed 73 people. We’re talking about the notorious militant Cuban exile: Luis Posada Carriles.”
Democracy_Now ! May 9, 2005
[…]
14.) In California, in the eighties, John Pilger (investigative journalist and writer) met four Vietnamese who had been assassins in America’s Operation Phoenix; one of them ran a fast food drive-in. He seemed a contended man. What all these people have in common, apart from their history of terrorism, is that they were either working directly for the US government or carrying out the dirty work of American policies. Operation Phoenix, for example, devised, funded and run by the CIA, was responsible for up to 50,000 murders. He states:
“Much was made of al-Qa’ida’s training camps in Afghanistan, the target of American bombers. But these were kindergartens compared with the world’s leading university of terrorism at Fort_Benning in Georgia. Known until recently as the School of the Americas, it trained some 60,000 Latin American soldiers, policemen, paramilitaries and intelligence agents. Forty per cent of the Cabinet ministers who served in the genocidal regimes of Lucas Garcia, Rios Montt and Mefia Victores in Guatemala are graduates.
[…]
16.) American military in Iraq plant car bombs on unwitting Iraqi civilians. See: Sick Strategies For Senseless Slaughter by John Kaminski
[…]
http://deeperpolitics.gnn.tv/blogs/7329/Examples_of_documented_False_Flag_Terrorism
Quote
The essence of false flag operations and other covert operations is that the same methods cannot be used for ever, but must be changed. In the first half of the 19th century, the British used the extreme nationalism of the Mazzini networks to destabilize their enemies. Around 1850, the main cover story for terrorism became the international anarchist movement and this was used well into the 1930s, especially for purposes of political assassination. In the 1950s and 1960s, the standard explanation for terrorism was the deranged loner, such as Lee Harvey Oswald. In the 1960s and 70s, methods radically changed, with youthful leftists and communist terrorists of college-age taking center stage: here we see the Weathermen in the United States, the Baader-Meinhof group in Germany, and the Red Brigades in Italy (this is a phase which resembles the one now starting). In the 1970s and 1980s, this was supplemented by the radical Arab and Palestinian political terrorism of Abu Nidal and Black September. Even during this period, there was also the rise of Islamic fundamentalist terrorism. In the 1990s, especially in the United States, the focus shifted completely to right wing anarchist militias who wanted to destroy the government: Timothy McVeigh and the Oklahoma City bombing are the leading example. By the late 90s the scene had changed again to focus on Al Qaeda and bin Laden. Now the credibility and usefulness of the 9/11 mythology has been exhausted, and we need to ask what will come next.
http://www.deepjournal.com/p/7/a/nl/1612.html
Quote
But NOT the U.S.It is logical to assume that, even if other countries have carried out false flag operations (especially horrible regimes such as, say, the Nazis or Stalin), the U.S. has never done so.
Well, as documented by the New York Times, Iranians working for the C.I.A. in the 1950’s posed as Communists and staged bombings in Iran in order to turn the country against its democratically-elected president (see also this essay).
And, as confirmed by a former Italian Prime Minister, an Italian judge, and the former head of Italian counterintelligence, NATO, with the help of the Pentagon and CIA, carried out terror bombings in Italy and blamed the communists, in order to rally people’s support for their governments in Europe in their fight against communism. As one participant in this formerly-secret program stated: "You had to attack civilians, people, women, children, innocent people, unknown people far removed from any political game. The reason was quite simple. They were supposed to force these people, the Italian public, to turn to the state to ask for greater security."
Moreover, recently declassified documents show that in the 1960’s, the American Joint Chiefs of Staff signed off on a plan to blow up AMERICAN airplanes (using an elaborate plan involving the switching of airplanes), and also to commit terrorist acts on American soil, and then to blame it on the Cubans in order to justify an invasion of Cuba. If you view no other links in this article, please read the following ABC news report; the official documents; and watch this interview with the former Washington Investigative Producer for ABC’s World News Tonight with Peter Jennings.
http://www.911proof.com/
The existence of an overwhelming amount of documentation detailing various acts of false flag terrorism across the globe leaves little room for doubting the idea that governments leave no stone unturned to attain their goals of power sustenance and/or expansion.
If you still doubt the veracity of false flag terrorism, then I recommend finding out more on the subject using a search-engine and watching the many videos that have emerged over the years on the subject, most notably the ones that document the biggest and most dramatic false flag operation of them all: 911.
http://www.imdb.com/title/tt0418279/
For a decent synopsis, go to Wikipedia. A couple of sentences in that review immediately stand out:
The United States Military and General Motors lent vehicles and aircraft during filming, which saved money for the production and added realism to the battle scenes.
[…]
The military of the United States provided significant support, enhancing the film’s realism: the film features F-22s, F-117s, and V-22 Ospreys, the first time these aircraft were used for a film; soldiers served as extras, and authentic uniforms were provided for the actors.[1] A-10 Thunderbolt IIs and Lockheed AC-130s also appear.
This basically means that the script of the movie depicts the military in a sufficiently favorable way. The reason why the movie gets a padding on the back by the military is not hard to understand as it heavily promotes the all out gun-blazing take-no-prisoners warrior ethos. In other words, the movie seems to make for most welcome recruitment material as it is likely to earn the approval of hordes of ‘trigger happy’ video-game poisoned and naive adolescent boys.
Much like the Cyborg Girl review I did yesterday, this too is a movie in which the conceptual robot is personified. The movie depicts robots with remarkably human characteristics and apart from their obviously human physical appearance (i.e. provided they are in their non-vehicular form), they also behave very much like humans do, especially young males:
Robots talking like (English speaking) humans do, moving like humans do, fighting like humans do, and they even know how to urinate like human males do (although the robots smartly call it ‘lubricate’).
As such, personifying robots no doubt earns the sympathy of many young and naive viewers and there stands nothing in the way of viewer to even identify with the robots. Depicting robots sympathetically and which have literally superhuman powers reads like an effective advertisement regarding the merger of man and machine. By making robots come across as friendly and protective (the Autobots only though, not the Decepticons) the viewer is predictively programmed to look favorable towards a future in which man will be drawn closer to machine either by augmenting machines with human characteristics or by endowing humans with machine like qualities facilitated by neural implants. In short, machines to be humanized while man to be dehumanized. The latter is a most worrisome prospect to anyone preferring to be a flesh-and-blood sentient human being who enjoys his or her autonomic mind and takes pride in his or hers individuality, as opposed to being an essentially soulless and unconditionally obedient machine reminiscent of a human.
Another predictive programming theme surfaces in a scene where a seemingly unannouncedsearch and seizure operation by the federal police takes place. The FBI simply come barge through the door of some house, ransacks it and without notice arrest its inhabitants. No search-warrant is provided and no Miranda rights are read to the promptly arrested civilians. In other words, the viewer is further familiarized with Police State antics and scenery.
In the last batch of scenes a battle between the ‘good’ robots versus the ‘evil’ robots transpires in the city of Los Angeles. The military is heavily represented in the city and fighter jets fly over city, something that of and by itself is unusual as this is not entirely legal. I believe that scenes such as these, although given the context of the movie their presence seems justified, are to make the viewer getting accustomed to military forces operating in and around big cities and which have taken over the role of the regular local police and, at the expense of the Posse Commitatus Act, are now de facto policing the civilian population.
On further digging it turns out that the Posse Comitatus Act at this day and age was effectively suspended under the Bush regime.
Since the coming to reality of future calamities and crises, e.g. escalating economic crises or new terror attacks, is a very real possibility indeed, it is hardly a wild idea to suppose that movies such as Transformers help prepare the public, through predictive programming, of indeed situations in which military forces are mobilized to assume a public law enforcing capacity.
"To punish and enslave."
http://www.imdb.com/title/tt0434409/
For a decent synopsis I recommend the corresponding Wikipedia entry.
The parallels between Equilibrium and V for Vendetta are hard to miss. Both films depictdystopian societies which heavily refer back to Nazi Germany. In V for Vendetta the government has transformed itself into a full-fledged Police State ruled by an oligarchical rod of iron.
I will expand on the various elements of this generally sober-toned albeit occasionally satirical film and then attempt to reveal the predictive programming as I go:
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"Yellow coded curfew is now in place. Any unauthorized personnel will be subject to arrest. This is for your protection."
For the purpose of furthering control, the government has put into effect a curfew to which all regular citizens are to be subjected to. The onset of the curfew is announced through vintage looking loudspeakers, and thus is highly reminiscent of a world war II era. The viewer is acquainted with the phenomenon of the normalcy of curfews that comes with dictatorial rule. That it is but ‘for the protection’ of the citizenry is of course simply Orwellian newspeak [ostensibly to prevent or smother acts of terror perpetrated by ever dangerous and ever evasive enemies of the state].
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The emblem of the ruling party, Norsefire, is quite interesting in that it features a red double cross on a black background. The colors obviously are a clear reference to Nazi Germany.
Wikipedia explains:
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In the book, a blue "N" on a black flag is the symbol of the party. An "N" or "NF" are the only party symbols shown.
The symbol of the Norsefire party in the film resembles the Croix de Lorraine, the heraldic symbol of the province of Lorraine in France, which was adopted as the official symbol of General Charles de Gaulle’s Free French Forces between 1940 and 1944. It was later used for various Gaullist political parties in France, notably the RPR (Rally for the Republic).
In the context of the film’s fascist Britain, it could be seen as a combination of the St. George’s Cross and the Nordic Cross flag, or a radical modification of the flag of England (a red centered cross on a white background). Its colours are similar to those of the flag of the Northern English city of Durham. In the movie, the symbol is shown in flags, police badges, coat of arms, tanks, and army beret badges. The black and red colours are interchangeable with each other, with one forming the cross and the other forming the background.
It is also, literally, a double cross. A double cross of a different type can be seen in The Great Dictator, which satirises Nazism. The cross also forms an "H" on its side.
Noting that Guy Fawkes, the inspiration for the novel and film, acted against the British Crown as a Catholic, it is also possible that the Wachowski brothers’ movie script added a flag intended to be symbolic of the historical antagonism between the Catholic Church and Freemasonry. The Norsefire party symbol used in the movie is a particularly close match to the red slanting Patriarchal cross designating a 33rd degree level mason of the Scottish Rite.
http://en.wikipedia.org/wiki/Norsefire
A ‘double cross’, besides having a rich history as featuring on a good many European state flags, has also an additional meaning when considered a verb; its meaning being ‘to deceive’ or ‘to betray’[2]. And it just so happens that this is of course precisely whatNorsefire is doing, its rule is based on swindle, deceit and other foul play. As a tantalizing aside, the reader should know that the genuine British flag, the Union Jack, also features a double cross:
As such, the Norsefire flag may thus be interpreted as a perhaps extreme variant of a political doctrine that was already holding sway over the British empire.
It may also be interesting to note that the double-cross also features quite clearly in the logo of Rockefeller run Exxon (formerly Esso or S.O., Standard Oil):
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The Chancellor of Norsefire addresses its governmental council in absentia, while his image is magnified to emphasize the subordination of his henchmen in what seems to be a typical Big Brother fashion (this theme was also present in Equilibrium).
It seems that the producers of this movie, the Wachowski Brothers, went out of their way to make the analogy with Nazi Germany more than just remote. If you look at the eyes of the Chancellor you may notice quite a pronounced dilation of the pupils, and during all Big Brother shots such as this one you would continue to observe his eyes being as big as saucers. Mydriasis is a typical consequence of the consumption of psychoactive stimulants such as cocaine or amphetamines. Just as Hitler, it seems that the Chancellor too was under the influence of uppers perhaps in an attempt to reflect the same type of zeal as embodied in Hitler.
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"[…]Our job is to report news, not fabricate it. That’s the government’s job."
A blatant reminder to the viewer that the mainstream media is complicit in the treachery and immoral conduct of the government, at least in case it’s tyrannical in nature. Regrettably, the immoral wedlock of the media to the government is highly reflective of real present day society also.
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Decent food seems to be in hard supply in totalitarian Britain and is something the citizens normally have no access to. Although it can be obtained, as V did, through illegal means. The viewer may expect scarcity of (good) food if a Police State were to be put into effect.
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"[…] There is something terribly wrong with this country, isn’t there?
Cruelty and injustice. Intolerance and oppression […] You now have sensors and systems of surveillance coercing your conformity….
How did this happen? Who’s to blame? […] If you’re looking for the guilty, you need only look into the mirror […] I know you are afraid, who wouldn’t be? War, terror, disease. There were a myriad of problems conspired to rob you of your common sense.
Fear got the best of you, and in your panic you turned to the now high-chancellor Adam Sutler. He promised you order, he promised you
peace. All he demanded in return was your silent and obedient consent."
The viewer is encouraged to accept blame for any future installations of tyrannical and absolute forms of government. Complacency, apathy, but most of all fear, is what begets tyranny. So when abject tyranny comes knocking your door down you should, first and foremost, blame yourself for letting it get that far. Nonetheless, not to panic, for there is solace and relief looming over the horizon already.
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"[…]Chancellor sutler agreed, we have to keep this discrete for obvious reasons… The loss of the voice of London could be
devastating to our credibility. Perhaps a stroke? No, no that’s too horrific. A quiet dignified death in his sleep."
Another example of the twisting of reality to suit the needs of the government while, according to established rule, truth is sacrificed once again. Lies are created by the government, blindly accepted by the media who then, without grudging or adulteration, simply regurgitate it to the public. Sadly, quite an accurate reflection of real life too.
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"One thing is true of all governments. The most reliable records are tax-records."
Another sneer towards the concept of government serving to illustrate its inherent lack of integrity.
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"Vi Veri Veniversum Vivus Vici" (by the power of truth, I, while living, have conquered the Universe – Faust)
Who can now possibly still deny that Latin is an elegant language? In that sentence there are just a tad bit too many glorious and righteous Vs to prevent from dissuading the viewer from placing trust in the protagonist of the movie V to save to day, hey? Therefore, the viewer is thus encouraged to accept a genuine and tormented but heroic saviour when the socio-political situation becomes that much unbearable that the only reasonable reaction would seem to be: revolution.
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That’s an interesting flag if there ever was one: An modified Union Jack, having a bit of the US in it while having a heart of Nazism. Quite the accurate reflection of the Nazi-phileNorsefire led UK. It may be interesting to note that there is quite a salient body of historical evidence to support the idea that indeed Nazism was helped on its feet by Britain. While it is common knowledge that the US started out as a British colony, there also exists a body of evidence that the Brits never actually relinquished their grip over the US and that the latter secretly continued to be a ‘plantation’ for Britain.
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The movie shows that homosexuals would be persecuted in the Fascist UK, again much like Nazi Germany. However, reality was a bit more complicated than that. It seemed that in Nazi Germany the effeminate "fem" homosexuals were indeed persecuted while the overly manly "butch" homosexuals were pretty much left as they were. Indeed,butch homosexuals seemed to have pretty much ran the entire Nazi apparatus even.
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"What if the worst and most horrifying biological attack in the history of this country was not the work of religious extremists.[…]
If our own government was responsible for what happened at St. Mary’s and Three Waters. If our government was responsible for the deaths of almost a 100 thousand people, would you really wanna know?" […]
"Imagine a virus, the most terrifying virus there is. And imagine that you and you alone have the cure. The target of the country should not be an enemy of the country, but rather the country itself." […]
"The end result of the true genius of the plan was fear. Fear became the ultimate tool for this government."
At the end of the movie it becomes clear that all along it was Norsefire that was behind orchestrating the false flag operation, in this case a terror strike, that immediately led to the scaring of the UK population into utter submission to Norsefire. Government using terror and mass murder as a means to expand their power; a crazy idea, or not?You decide…
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Finally, the tyranny of Norsefire becomes too unbearable and propelled by the momentum of the spirit of revolution as instigated by the now deceased saviour, V, the exploited and degraded population rebel en masse and march on to the parliament only to watch its utter destruction, thus signaling the end of the reign of Norsefire. And they all, minus V, live happily ever after.
So to recap, after a string of worldly misadventures the UK plunged into an utterly oppressive Police State, where Nazi-like intolerance and dishonesty hold sway like never before (?). The justification for rise of Norsefire to power turns out to be completely disgenuine and fabricated as the false flag terror strike it was. A surviving victim of the nefarious practices of Norsefirebecomes the iconoclastic saviour of Britain and ultimately succeeds in tearing down the dystopian and morally bankrupt dictatorial regime.
The moral of the story seems to be that should the time come that a full fledged Police State will be installed then the public should worry not for a saviour one day will emerge who will work hard to wrest free control from the clutches of tyranny and guide you all into happy freedom again.
Note that this popular silver-screen messianic theme was also present in Equilibrium as well as in The Matrix trilogy. Do I need to inform the reader that the hope for waiting for a saviour to take you by the hand and guide you into safety may be a vain one?
Appendix:
The Gunpowder Plot of 1605
The historical figure on which the main character V is based, Guy Fawkes, was part of a conspiracy to blow up the English Parliament and eveyone in it, including King James I and family as well as the entire government.
Now there are two different and opposing historical accounts as to what really happened.
One view supports the notion that the plot was instigated by the predominantly Protestant English government itself in order to strengthen anti-Roman Catholic legislation and basically altogether wipe out the threat of a potentially powerful English Roman Catholic column. By making it look as if a group of zealous Catholics conspired against the Protestant government and the King the apprehension and exposure of the ostensible evildoers would earn enough disgust and hatred for the Roman Catholics by the Protestant citizens for its government to stringently clamp down on the Catholic minority and obliterate their civil rights. As such, by this view the conspiracy is interpreted to be a false flag operation.
The other view asserts that the conspiracy of which Fawkes was part of was not of crypto-Protestant nature but indeed genuinely Roman Catholic. The group led by one Robert Catesby was in turn spurred into action by the Jesuits, headed in England at that time by Provincial Henry Garnet. If one considers the official court-procedures of the ensuing court case, one notices that the list of accused mentions many a Jesuit, including Garnet. It so happened that Garnet together with a number of fellow Jesuits were found guilty and summarily executed by the power of the English Crown.
I hope to address this controversial historical event in more detail on a later time and will leave it for now by mentioning a feature in the movie which seems to favor the second hypothesis.
In this part of the movie, V confesses that the Count of Monte Cristo is his favorite movie. Now it so happens that there are several sources claiming that the good Count is in actual fact none other than the Jesuit Superior General.
Please read the following supportive quote:
Quote
The Jesuit General rules the world through his provincials. And the provincials then, of course, rule the lower Jesuits, and there are many Jesuits who are not "professed", so many of the lower Jesuits have no idea what’s going on at the top. They have no concept of the power of their Order.
It’s just like Freemasonry. The lower have no idea that the High Shriner Freemasons are working for the Jesuit General. They think that they’re just doing works and being good people. But the bottom line is that the high-level Freemasons are subject, also, to the Jesuit General because the Jesuit General, with Fredrick the Great, wrote the High Degrees, the last 8 Degrees, of the Scottish Rite Freemasonry when Fredrick protected them when they were suppressed by the Pope in 1773.
So, you have the alignment with the Jesuit Order and the most powerful Freemason they had in the craft, Fredrick the Great, during their suppression. That is an irrefutable conclusion. And then, when you see the Napoleonic Wars, the French Revolution and the Napoleonic Wars carried out by Freemasonry, everything Napoleon did, and the Jacobins, whatever they did, completely benefited the Jesuit Order.
It’s to this end that Alexander Dumas wrote his The Count Of Monte Cristo. The Count is the Jesuit General. Monte=Mount, Cristo=Christ. The Count of the Mount of Christ. Alexander Dumas was talking about the Jesuit General getting vengeance when the Jesuits were suppressed, and many of them were consigned to an island, three hours sailing, West, off the coast of Portugal. And so, when the Jesuits finally regained their power, they punished all of the monarchs of Europe who had suppressed them, drove them from their thrones, including the Knights of Malta from Malta, using Napoleon.
And Alexander Dumas, who fought for the Italian patriots in 1848, to free Rome from the temporal power of the Pope, wrote many books and one of the books was to expose this, and that was The Count Of Monte Cristo.
So, when you read that book, bear in mind that it’s really a satire on the Jesuit Order regaining their power in France. The Count of Monte Cristo has an intelligence apparatus that can’t be beat. Well, that’s the Jesuit Order.
But the Count doesn’t get what he really ought to have, or his last wish, and that’s the love of woman. He gains back all of his political power; he gains back everything he lost; but he doesn’t have the love of a woman. And THAT is the Jesuit Order. They have no women. They have no love of a woman. Because to have a wife, to have a woman, means you have an allegiance to your wife and family, and you cannot obey the General. That’s why they will NEVER be married, and that’s one of the great KEYS to their success.
Black Pope Count Hans Kolvenbach Superior General of the Jesuits
http://www.theforbiddenknowledge.com/hardtruth/blackpope.htm